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Steve Lacy: Phase One

Ninety years after the birth and twenty years after the death of the great soprano, we look at the first, perhaps the least known, phase of his career, between the ages of twenty and thirty

In praise of impure jazz

A long essay offering many topics for reflection and discussion, accompanied by a selection of Robeto Polillo's magnificent photographs

Wes Montgomery as told by Ron Carter, Bill Frisell, Herbie Hancock, Mike Stern and Marcus Miller

The official release of a series of phantasmagoric live recordings by the great guitarist, and the words of some of his famous colleagues

Illinois Jacquet: a Master of the Saxophone

It was his searing solos on the harmonies of Flying Home that made the Louisiana saxophonist (1922-2004) famous, but those solos also masked his considerable virtues as an improviser in the classical school of tenor saxophone.
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Gato Barbieri: 1964, waiting for Paradiso

Andrea Polinelli, saxophonist, composer, teacher, researcher and translator, publishes for Artdigiland a rich monograph dedicated to Gato Barbieri, the result of more than five years of work (Gato Barbieri. A biography from Italy, between jazz, pop and cinema).

To the Max: the greatness of Massimo Urbani

A brief journey through the Roman musician's recorded albums, on the anniversary of his death, to try to focus on his greatness

John Coltrane & Eric Dolphy at the Village Gate

We delve into the extraordinary discovery of an unreleased 1961 recording featuring the quartet of Coltrane and Coltrane's quartet is joined by Dolphy: a collaboration that here reaches absolute heights.

The Casa Loma Orchestra: Jazz’s first cooperative

In the early 1930s, it was America's most popular orchestra, but today it is almost completely forgotten: we retrace the adventurous events of a band that defined an era, amidst mock-gothic castles and guns and clubs in the dressing rooms.
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George Russell: 100th birthday of an innovator

In 1923, in Cincinnati, one of the great masters of jazz was born, among all the one who has collected the least in proportion to his merits. We retrace his fundamental theoretical activity and, in his own words, also a life that was certainly not easy but very productive

Alice Coltrane: the Spiritual Jazz

Is there a connection between this category of uncertain boundaries - and equally elusive definition - and perhaps one of the most misinterpreted figures in the jazz scene of the 1960s and 1970s?

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