Magazine

Musica Jazz Collector’s Issue is available

The first issue of Musica Jazz International is now available in English language, with previews of columns and articles. The cover story, dossier, interviews, and two accompanying CDs

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Interview with Giovanni Ghizzani

In recent years, your name has begun circulating more and more prominently within the Italian jazz scene. How would you describe your musical journey...

The Red Records Story

A story worth telling. When a cultural enterprise such as Red Records reaches fifty years of uninterrupted activity, many questions inevitably arise in the...

Box Conad

Casa del Jazz

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chanson(g)s

Maria Pia De Vito: in the laboratory of “Buarqueana”

The line crackles from time to time. I am...

Sergio Mendes: Pretty World

The recent death of the Brazilian pianist truly marks the end of an enchanted world: a true la-la land built in the perfect image and likeness of its ingenious creator

Lost Recordings

Boats, biplanes and keyboards: that’s how Siegfried Kessler travelled

After fifteen inconclusive ballots, on 13 July 1978 the...

A sound laboratory: Trevor Watts’ Amalgam

If you are born an orphan, life starts uphill....

Blues

Sam Cooke: “Mr. Soul” between Church and Nightclub

The life, career and tragic end of one of the greatest voices of the 20th century – and not just an African-American one.

Arthur Prysock: the crooner with deep blues shadows

Arthur Prysock, born exactly one hundred years ago, was one of the warmest and most seductive voices of a forty-year period of black music, moving with elegance and depth between jazz, blues, R&B, country and even disco tracks, without ever losing its powerful magnetic force on the most mature and demanding African-American audiences.

moon in june

George Martin: The Fifth Beatle

While 2026 marks the centenary of musical legends such...

Patti Smith “The Bread of Angels”

Years ago, Patti Smith wrote the beautiful memoir Just...

magazine

Musica Jazz Collector’s Issue is available

The first issue of Musica Jazz International is now available in English language, with previews of columns and articles. The cover story, dossier, interviews, and two accompanying CDs

Marisa Monte: Portas

The great Brazilian singer is always an authentic explorer: in love with the past, but projecting into the future. On the occasion of her return to Italy, where she lived a few years ago, we asked her to tell us her story.

Roy Ayers: “Everybody Loves the Sunshine”

Ayers died on March 4 in New York. The...

Caterina Caselli: The Faces of Life

2024 was a rewarding year for Caselli. In the...

Musica Jazz – Collector’s Issue – digital edition

You’ll always have access to the digital flipbook to...

Sergio Mendes: Pretty World

The recent death of the Brazilian pianist truly marks the end of an enchanted world: a true la-la land built in the perfect image and likeness of its ingenious creator

Take a Journey Through the Jazz Clubs of the Big Apple

Take a Journey Through the Jazz Clubs of the Big Apple. New York never sleeps, and neither do its jazz clubs. You can easily stay up until dawn in this city, immersed in a musical ecosystem that is constantly evolving.

News

JAZZ-ABLE FEST – A Journey Beyond Boundaries

The “Girolamo Frescobaldi” Conservatory of Ferrara was transformed into...

How Audacia Is Redefining Digital Strategy for Today’s Musicians

Artificial intelligence is increasingly shaping every aspect of our...

EFG London Jazz Festival 2025

The EFG London Jazz Festival remains one of the...

Most view

Roy Ayers: “Everybody Loves the Sunshine”

Ayers died on March 4 in New York. The warm sound of his instrument has fallen silent, leaving an empty void. He was eighty-four years old and had been battling a long illness. His notes, once rays of sunshine in the jazz-funk and soul firmament, now float like precious dust in an endless sunset. The music world is left devastated and suspended, waiting for a final note that will never come. His vibraphone spoke directly to the heart, and every chord he played was a fragment of melancholic light—a thrill we now miss like a lost heartbeat. Roy Ayers leaves behind a bittersweet void—a silence filled with memories in...

Sergio Mendes: Pretty World

The recent death of the Brazilian pianist truly marks the end of an enchanted world: a true la-la land built in the perfect image and likeness of its ingenious creator

ARCHIVE

Interview with Giovanni Ghizzani

In recent years, your name has begun circulating more and more prominently within the Italian jazz scene. How would you describe your musical journey today, and what were the decisive moments in your development? My musical path was somewhat fragmented at first, mainly because for many years I balanced music with another profession — I worked as a lawyer. It was only about ten years ago that I decided to devote myself entirely to music, and that turned out to be a fundamental choice, almost inevitable at a certain point in both my personal and artistic life. From then on, several formative experiences became especially important. First of all, my years...

Marc Ribot sets the Torino Jazz Festival ablaze with an updated version of Hurry Red Telephone

The programme of the 2026 Torino Jazz Festival – renamed The Sound of Surprise – featured a special focus on the guitar this year, thanks to the presence of three heavyweights of the instrument: Marc Ribot, Bill Frisell and John Scofield. Three musicians who, each in their own way, have helped redefine the language of the guitar over the past forty years. The first to take the stage was Ribot, a central figure in the New York downtown scene, appearing with his new quartet Hurry Red Telephone. Strictly speaking, the group had already performed in Italy last year at the Bergamo Jazz Festival, but in a different configuration: at that...