ARTIST
Brandon Seabrook
ALBUM TITLE
“Hellbent Daydream”
LABEL
Pyroclastic
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Following the remarkable solo statement Object of Unknown Function, Brandon Seabrook – now fifty and long recognised for his highly personal approach to banjo and guitar, rooted in American vernacular traditions yet shaped by a wide range of influences – returns with a new quartet recording that initially appears to reveal a different side of his musical personality.
At first encounter, Hellbent Daydream projects a more descriptive, conversational character than its predecessor. It seems lighter, more open and airy, almost inviting the listener into a comparatively accessible sound world. Yet appearances can be deceptive. Beneath the album’s apparent immediacy runs a subtle but persistent experimental thread: a candid investigation of sound itself, of the ways textures unfold, intersect and intertwine. Although the recording dates remain unknown, the album was released in late February 2026 and confirms that Seabrook’s exploratory instincts remain fully intact.
Indeed, this is a work that rewards careful listening. One must look beyond the surface and gradually peel away its layers to grasp what is truly taking place. The initial impression of accessibility is not entirely inaccurate, but it obscures a far more complex reality. The music is constructed around a sophisticated interplay of stringed instruments, distributed across three distinct voices whose interactions form the core of the album’s language.
As the music progresses, Elias Stemeseder’s work on piano and synthesizers emerges as the project’s true connective tissue. His interventions bind together the ensemble’s diverse timbral strands, creating continuity without imposing rigidity. The seven compositions unfold through a process of gradual juxtaposition and layering, always animated and purposeful, yet never frenetic or overcrowded.
The album maintains a striking consistency across its seven tracks, and by the end one is left with the unmistakable feeling of having experienced something genuinely meaningful. It is music that enriches the listener, provided one is willing to venture beyond conventional definitions of jazz. If anything, that willingness is precisely what the album asks for.
Alberto Bazzurro
DISTRIBUTED BY
pyroclasticrecords.com
LINEUP
Brandon Seabrook (guitar, banjo), Erica Dicker (violin), Elias Stemeseder (piano, synthesizers), Henry Fraser (double bass)
RECORDING DATE
Brooklyn. Recording date not specified
