Paolo Romano
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That’s exactly how it happened. Steve Tibbetts and I spend very little time talking about his new ECM album, Close. Instead, we end up discussing Calvino, Joyce and Rothko. We talk about music, death and hope. About what can be expressed and what lies beyond expression, in a conversation where the usual roles gradually disappear. Perhaps that’s for the best, because had this interview been polished into a more conventional shape, very little of the emotional depth of this Wisconsin-born, Minnesota-adopted artist would have survived. Like his music, Tibbetts’ emotional language springs from an inquisitive and generous humanity, which he shares freely with Musica Jazz International. Good morning, Steve. I think I’m running a little late – sorry about that. No worries at all. Good morning! What guitars have you got behind you? A Godin 5th Avenue and this blue Steinberger, which I’ve actually been playing quite a lot lately… […]
Musica Jazz is the first Jazz magazine in Italy.
It has been published continuously since July 1945.
It is the second longest running Jazz magazine in the world and among the longest running in Italy.
In December 2015, it was awarded the prestigious Ambrogino d'oro by the mayor of Milan.
It is published monthly and has been published with an accompanying record since November 1981.
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