Magazine

Musica Jazz Collector’s Issue is available

The first issue of Musica Jazz International is now available in English language, with previews of columns and articles. The cover story, dossier, interviews, and two accompanying CDs

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Giuditta Franco “Dust”

Dust is your debut album as a bandleader. What artistic impulse gave rise to the project? I started writing this album two years ago, at...

Afrika Bambaataa: At the Origin of the Beat

Afrika Bambaataa died on April 9. He had been battling prostate cancer. When someone like him dies, it is not simply one of the...

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chanson(g)s

Criolo, Amaro & Dino

Over the years I have met many of Brazil’s...

Maria Pia De Vito: in the laboratory of “Buarqueana”

The line crackles from time to time. I am...

Lost Recordings

So, What Do You Think About Reissuing the Spontaneous Music Ensemble?

The story of the Spontaneous Music Ensemble came to...

A Canterbury Tale – In French: Patrice Meyer

Canterbury is not far from the French coast –...

Blues

Sam Cooke: “Mr. Soul” between Church and Nightclub

The life, career and tragic end of one of the greatest voices of the 20th century – and not just an African-American one.

Arthur Prysock: the crooner with deep blues shadows

Arthur Prysock, born exactly one hundred years ago, was one of the warmest and most seductive voices of a forty-year period of black music, moving with elegance and depth between jazz, blues, R&B, country and even disco tracks, without ever losing its powerful magnetic force on the most mature and demanding African-American audiences.

moon in june

The Grace of Jeff Buckley

This year, Jeff Buckley would have turned sixty, had...

George Martin: The Fifth Beatle

While 2026 marks the centenary of musical legends such...

magazine

Giampiero Spina: In Search of Wes Montgomery

Six for Wes is the latest project by guitarist...

Kelly Peterson: Oscar in Private

Ms Peterson, a few days ago I interviewed Mark...

So, What Do You Think About Reissuing the Spontaneous Music Ensemble?

The story of the Spontaneous Music Ensemble came to...

Giuditta Franco “Dust”

Dust is your debut album as a bandleader. What...

Bill Frisell’s Trio with Greg Tardy shines at the Minerva Musicae Festival

Following performances by Christian McBride & Julian Lage, Andrea...

Reggie Workman: “Coltrane was part of the community”

As the sun began to set over Siena’s Fortezza...

Kavus Torabi: “Bright Spirit” and the next chapter of Gong

I’d like to start with the latest album Bright...

News

Bill Frisell’s Trio with Greg Tardy shines at the Minerva Musicae Festival

Following performances by Christian McBride & Julian Lage, Andrea...

Summer Jazz Series previews the EFG London Jazz Festival 2026

Ahead of the EFG London Jazz Festival, scheduled to...

EFG London Jazz Festival announces new artists for November 2026 Edition

The EFG London Jazz Festival has announced a new...

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Roy Ayers: “Everybody Loves the Sunshine”

Ayers died on March 4 in New York. The warm sound of his instrument has fallen silent, leaving an empty void. He was eighty-four years old and had been battling a long illness. His notes, once rays of sunshine in the jazz-funk and soul firmament, now float like precious dust in an endless sunset. The music world is left devastated and suspended, waiting for a final note that will never come. His vibraphone spoke directly to the heart, and every chord he played was a fragment of melancholic light—a thrill we now miss like a lost heartbeat. Roy Ayers leaves behind a bittersweet void—a silence filled with memories in...

Sergio Mendes: Pretty World

The recent death of the Brazilian pianist truly marks the end of an enchanted world: a true la-la land built in the perfect image and likeness of its ingenious creator

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Giampiero Spina: In Search of Wes Montgomery

Six for Wes is the latest project by guitarist Giampiero Spina: a journey through the music of Wes Montgomery, arranged and performed by four guitars. We asked him to tell us about his ensemble approach to the compositions of the great American guitarist. Giampiero, you’re a creative guitarist in the sense that you enjoy developing both personal projects and original reinterpretations of other composers’ work. I’m thinking of Cinema Paradiso, the Beatles-inspired Nothing Is Real, or your previous, highly personal album Alien Flowers. Tell us about this multifaceted side of your musical personality. A musician’s personality is shaped by the musical imprint rooted in their past: it is an emotional baggage...

Kelly Peterson: Oscar in Private

Ms Peterson, a few days ago I interviewed Mark Stryker, who wrote the liner notes for the new Verve release dedicated to Oscar Peterson. I’d like to ask you a few things about Oscar: you were his wife, and today you take care of his artistic legacy. How do you manage such an enormous legacy – a career spanning more than sixty years, a vast number of recordings and such a wide-ranging body of work? It has been, and still is, a tremendous learning process. Ever since Oscar passed away, I’ve felt that taking proper care of his legacy is both a privilege and a responsibility. It means looking after...